We generally get to the final feeling of how to make money from filmmaking although filmmaking gives in more pleasure and you are admired for your filmmaking techniques. Always training to get into the path of money from filmmaking doesn’t seems to be good either, but when we genuinely do our best hard work towards your passionate career, then it gives in what you need i.e. money from filmmaking.
Here comes in the way in money from filmmaking so as to get in the clear cut information of how it goes as well as how it should be done and what all the outcomes and inputs we have to put in the filmmaking process to get to how to make money from filmmaking.
In the beginning of your career as a filmmaker you may think of salary and calling cards. But, in real producer receives a salary equal to that of 10 percent of a film budget, again this 10 percent is divided amongst the co-producers, line producers, associate producers, production staff and many more according to the statement present in the film school text books, so it is better to stop thinking for a seven digit figured money right away to you in the beginning of your career and be happy with the 4 percent you get in from the producer’s fee in order to get to know how to make money from filmmaking.
Let us assume that your first feature film, your calling card film, gets picked up at a festival for theatrical distribution. Then you the question for how to make money from filmmaking will be much easier, right?
Wrong! About 95 percent of all calling card features discovered at a festival by a distributor’s acquisition executive receive what is called the net deal of 50-50. As 50 percent of nothing is nothing, never accept a theatrical distribution deal without seeing some cash up front as this will turn up as the foolish thing to make it to the path. This can be applied to or recouped from the profits, unless you totally accept that your film is just a calling card that will get your name out into the industry to secure you a Big Five agent who will get you big-budget deals with fat producer fees as to get to the way of how to make money from filmmaking.
If your film is picked up at a festival for theatrical distribution and becomes a movie, the theatrical distributor will probably keep all or a majority of the revenues. However, the way to how to make money from filmmaking even if your film does not get a theatrical distribution deal, you can still go directly to the DVD world of selling, downloads and rentals and make your own sales.
Once your film has become a movie and you have negotiated either a 50-50 net deal or a split rights deal, permitting you to keep ancillary revenues other than the six major windows, you will now be able to cash in on them is also the way to how to make money from filmmaking. Examples of these are music sales, novelization rights, remakes, branding, licensing, merchandising, iTunes, cell phones, AOL or Google or Yahoo, etc. The list goes on and on.
There are 35 nations and territories that purchase films from America, even if the film has never been released theatrically. This is commonly known as the made-for-foreign marketplace as the best way on how to make money from filmmaking. To ensure that you procure these 35 sales negotiate a split rights deal with your theatrical distributor at the film festival where you were discovered. Split rights means exactly that you are splitting the world rights from your film between two distributors, one for North America and a second for foreign territories.
Therefore, at the festival, don’t obsess over either theatrical profits or window revenues from North America but retain all foreign rights is also the path to top 12 film websites followed by top Filmmakers. Then monetize this by either licensing them one by one at a film market or discount all 35 potential sales to one distributor who is at that film market and walk away with a fat check to get to how to make money from filmmaking in a much easier way.
Star Fuck Bucks
Every director who has established a name for him or herself via making a movie or two gets an amazing supplemental salary of $50,000 to $100,000 per day by directing commercials to stay in the way of how to make money from filmmaking called as star-fucking.
You are someone who has made a 90-minute movie that probably didn’t get picked up for theatrical distribution as to be in the path of money from filmmaking. But you have your own one-sheet promoting it with a jewel case DVD. With these as your press kit foundation, you can get a lot of jobs directing wedding videos. But, it will pay the rent in order to be in making money from filmmaking.
Broadband is cheap to get to the way of how to make money from filmmaking. As a matter of fact, with a majority of the viral video and social networking sites out there, it’s free. In TV, commercials are the price the viewer pays for watching the programs for free. Thus, a TV show with a 10 rating will sell ads for upwards of $500,000 each is also the best way bringing your thinking on money from filmmaking. The cost for ads within programs on broadband streaming sites is now priced at $25 CPM is one of the best ways to be in the path of how to make money from filmmaking.