5 stages of screenplay

5 stages of screenplay


5 stages of screenplay

The Setup

The 5 stages of screenplay starts with the opening 10% of your screenplay must draw the reader, audience into the initial setting of the story, must reveal the everyday life your hero has been living and must establish identification with your hero by making her sympathetic, threatened, likable, funny or powerful to be the on the screenplay.

Ten percent of the way out of the screenplay into your screenplay gives it to be your hero must be presented with an opportunity, which will create a new, visible desire as the screenplay will start the character on her journey.

Notice that the desire created by the opportunity is not the specific goal that defines your story concept, but rather a desire to move into to make out to the screenplay.

The New Situation

Out of the screenplay, the 15% of the story displays the hero reacting to the new situation that resulted from the opportunity. He gets acclimated to the new surroundings in trying to figure out what is going on or formulating a specific plan for accomplishing his overall goal in the 5 stages of screenplay.

Very often story structure follows geography as the opportunity takes your hero to a new location. In most movies, the screenplay involves that the hero enters this new situation willingly, often with a feeling of excitement and anticipation, or at least believing that the new problem he faces can be easily solved.

But as the conflict starts to build the screenplay, he begins to realize he is up against far greater obstacles than he realized to be on the screenplay until finally he comes to.

Something must happen to your hero to be the one-fourth out of the best ways to become a TV director shows the way through that screenplay will transform the original desire into a specific, visible goal with a clearly defined end point.

This is the scene where your story concept is defined in the following 5 stages of screenplay and the hero is outer motivation as revealed. Outer motivation is my term for the visible finish line the audience is rooting for your hero to achieve by the end of the film to be on the screenplay.

Please don’t confuse outer motivation with the inner journey your hero takes to be on the screenplay. Because much of what we respond to emotionally grows out of the hero in longings, wounds, fears, courage and growth during the screenplay, we often focus on these elements as we develop our stories.

But these 5 stages of screenplay makes the invisible character components can emerge effectively only if they grow out of a simple, visible desire.


For the next 25% of the story out of the 5 stages of screenplay of your hero makes the plan seems to be working as he takes action to achieve his goal. This is not to say that this stage is without conflict. But whatever obstacles your hero faces, he will be able to avoid or overcome them as he approaches. At the exact midpoint of your screenplay from the screenplay, your hero must fully commit to her goal.

Up to this point, she had the option of turning back, giving up on her plan, and returning to the life she was living at the beginning of the film. They are taking a much bigger risk than at any previous time in these films from the screenplay and as a result of passing this point of no return down they must now face.

This conflict continues to build until, just as it seems that success is within your hero’s taking in, as he needs to suffer in these Dialogue Rules to write Great Dialogues screenplay.

Around page 90 of your screenplay, something must happen to your hero that makes it seem to the audience that all is lost out of the screenplay. These disastrous events leave your hero with only one option that he must make one, last, all-or-nothing, do-or-die effort as he enters into the last stages out of the 5 stages of screenplay.

The Final Push

Beaten and battered, your hero must now risk everything she has, and give every ounce of strength and courage she possesses, to achieve her ultimate goal. This stage of your script after crossing the screenplay, the conflict is overwhelming, the pace has accelerated, and everything works against your hero, until she reaches, the hero must face the biggest obstacle of the entire story; she must determine her own fate and the outer motivation must be resolved once and for all from all the screenplay.

Notice that the climax can occur anywhere from the 90% point to the last couple minutes of the movie. The exact placement will be determined by the amount of time you need for making out a good film comes in with the entire screenplay.

The Aftermath

No movie ends precisely with the resolution of the hero’s objective. You have to reveal the new life your hero is living now that he’s completed his journey. So the climax occurs near the very end of the film as the last stage out of the screenplay.

But in most romantic comedies, mysteries and dramas, the aftermath will include the final five or ten pages of the script stays as the last stage out of the screenplay.

But a word of caution: don’t let all these percentages block your creativity. Structure is an effective template for rewriting and strengthening the emotional impact of your story.

But you don’t want to be imprisoned by it. Come up with characters you love and a story that ignites your passion so as to get the most in these 5 stages of screenplay.